He’s menacing - he may be involved with those who are after her - and he’s very flirtatious. Michael Keaton plays Rembrandt, a mysterious “security” expert who knows way more about Anna and Moody than she should be comfortable with. Cities and old “friends” must be visited and outfits must be changed, and often.Īnna’s search for yet another person who “can’t be found” takes her back to her native Vietnam, despite her serious misgivings. Killers are on her tail and must be dispatched. And she’s holding one of their guns.ĭecades later, she and her mentor are a cool, efficient machine, people who “find people who can’t be found,” and often as not, stab, shoot, strangle or kill them with a bomb.īut Moody (Jackson) is getting on up there, even if he claims “70 is the new 30.” And he’s got that tubercular cough that tells us, and anybody who’s ever been to the opera, he’s not long for this world.Īnd the merest hint of searching for a long-lost child of an infamous oligarch, the subject of an earlier contract, puts Moody in the bullseye and Anna on the lam and on the hunt. Little Anna ( Eva Nugyen Thorsen) is the last person standing. Jackson) who found her after walking in late on a scene of mass slaughter. It’s her latest lead, part of a run that included “Fantasy Island,” “Death of Me” and “The Argument,” and she almost lets us see herself asking “Is this a step backwards?” in her tentative, blasé performance.Īnna was a Vietnamese orphan raised by the hired killer ( Samuel L. Maggie Q returns to “Nikita” territory with “The Protege,” playing a sexy and exotic assassin not unlike her best known TV role.
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